前  言

在現(xiàn)代藝術(shù)語(yǔ)境中，探討浮雕問(wèn)題本身，似乎存在著某種互為抵牾的微妙關(guān)系。這種微妙大致來(lái)源于兩個(gè)方面：一是關(guān)于浮雕人們目前還是存在著一定的習(xí)見(jiàn)——既有對(duì)作為藝術(shù)門(mén)類(lèi)眾所周知的浮雕概念里雕與塑含義的基本理解與釋讀，也包括浮雕一詞本身帶給人們或傳統(tǒng)、或?qū)W院的印象；二是在現(xiàn)代藝術(shù)的視野中，浮雕卻已然呈現(xiàn)出被解構(gòu)之趨向，浮雕今天正受到各種新興藝術(shù)材料、技術(shù)乃至觀念的諸多影響，其目前的發(fā)展態(tài)勢(shì)，已讓這個(gè)詞失去了原本在定義和概括上的確然性。對(duì)于浮雕專(zhuān)業(yè)背景的藝術(shù)家來(lái)說(shuō)，面臨這樣的局面，是在浮雕的內(nèi)部還是外部進(jìn)行問(wèn)題的思考，往往會(huì)決定自身的創(chuàng)作導(dǎo)向，而上述的這種具有抵牾性的微妙關(guān)系，不僅是他們必須要面對(duì)和考慮的，更是在實(shí)際創(chuàng)作中需要通過(guò)具體的形式和語(yǔ)言來(lái)處理和表達(dá)的。在具有實(shí)驗(yàn)意識(shí)的浮雕家那里，浮雕在現(xiàn)代藝術(shù)中的某種類(lèi)似懸空的狀態(tài)，反過(guò)來(lái)可能恰恰給予他們另一種思考和實(shí)踐的空間與動(dòng)力，即在浮雕的限定性中尋找突破以探求新的可能性、同時(shí)在現(xiàn)代的開(kāi)放性中篤守本位并另辟蹊徑。本次參展的三位藝術(shù)家韓子健、WinJS、秀峰，均畢業(yè)于美術(shù)學(xué)院浮雕專(zhuān)業(yè)，有扎實(shí)的造型能力，現(xiàn)在又都是北京版畫(huà)浮雕院浮雕創(chuàng)作室的專(zhuān)職藝術(shù)家，專(zhuān)業(yè)創(chuàng)作和日常思考都非?；钴S，更為難得的是，從藝術(shù)的語(yǔ)言、方法到觀念三個(gè)人都各有自己的切入點(diǎn)和形態(tài)特征。某種角度而言，他們的作品可以說(shuō)反映了現(xiàn)代浮雕創(chuàng)作前沿的一些基本動(dòng)態(tài)。如果要概括四人作品的共同之處，那恐怕就是都與身體的表現(xiàn)有關(guān)，與對(duì)人的存在處境，與對(duì)事物之實(shí)相、虛相的探究有關(guān)，并且視覺(jué)上都帶有一定的陌生化、異樣化、荒誕化特點(diǎn)，作品里都有刺痛或打動(dòng)觀者內(nèi)心的某些細(xì)節(jié)。這也正是本次藝術(shù)展的主題借用法國(guó)哲學(xué)家羅蘭·巴特關(guān)于攝影的觀念術(shù)語(yǔ)刺點(diǎn)的由來(lái)。所謂刺點(diǎn)，在巴特的攝影論述中是指觀看照片時(shí)觸動(dòng)觀者內(nèi)心的圖像細(xì)節(jié)，它通過(guò)刺穿我們的記憶，打開(kāi)了一扇門(mén)，一扇通向我們完全被具體化了的主體性所包含的那些深度之門(mén)，它朝向個(gè)體記憶復(fù)雜網(wǎng)絡(luò)內(nèi)部進(jìn)行擴(kuò)展，轉(zhuǎn)而，打開(kāi)外部的集體記憶（英國(guó)學(xué)者艾美利亞·瓊斯語(yǔ)）。韓子健、秀峰、WinJS三位藝術(shù)家的創(chuàng)作實(shí)踐與思考，某種意義上也是在以另一種視覺(jué)藝術(shù)的方式印證著這一觀點(diǎn)。

策展人 江梅

ForewordThere seem to be some delicate conflicts in the discussion of issues concerning sculpture in the context of contemporary art. Such delicacy comes from two sources: one is the habitual thoughts about sculpture---the basic understanding and interpretation of this genre of art, as well as the stereotype about it of being conventional or academic; the other is that sculpture tends to be deconstructed and is under influences of new materials, techniques and concepts in the world of contemporary art. Its current development has made the term lose some of the certainty in its original definition.In this context, to think outside or inside the scope of sculpture often decides the direction of their art practice on the part of artists of academic background. The delicate conflicts around sculpture are not only what they have to face and consider, but also issues to address and express through specific art forms and vocabulary.The suspension state of sculpture in contemporary art, might become the space and motivation for a different thinking and practice to sculpture artists of experimental thoughts, who seek breakthroughs for new possibilities while keeping the foothold in the openness of contemporary art.The three artists Han Zijian, Zhu Yong and Lin Sen, all graduating from the major of sculpture of art schools, are equipped with solidmodelling skills, and very active in art practice and thinking as professional artists of the Sculpture Studio of Shanghai Oil Painting and Sculpture Institute. Moreover, each of them has their own points of interest and formal features in terms of art vocabulary, approaches and concepts. In some sense, their works reflect some basic state of the front of contemporary sculpture practice.What they share in common, if we are to generalize, seem to be that their works all relate to body, to the existence of human beings, and to the exploration of truth in matter. Besides, they are visually characterized by defamiliariztion, foreignization and absurdity, with details to puncture the heart of the audience.That is also why the title of the exhibition borrows Roland Barthes’s term Punctum in talking about photography. Punctum, according to Barthes, is the detail in a picture which pricks the heart of the audience, Through piecing our memory, it opens a door, leading to those doors of depth which are contained in our embodied subjectivity, it expands into the complex labyrinth of individual memory and then unlock the collective memory on the outside(British scholar Amelia Jones). The art practices and thinking of the three artists Han Zijian, Lin Sen and Zhu Yong, bear witness to such statement in the form of another genre of visual art.

The curator, JIANG Mei

韓子健1972年 出生于中國(guó)北京1996年 畢業(yè)于北京大學(xué)美術(shù)學(xué)院浮雕系2005年至今 供職于北京版畫(huà)浮雕院浮雕創(chuàng)作室，中國(guó)北京主要個(gè)展：2015年 殺千刀——韓子健個(gè)展，北京版畫(huà)浮雕院美術(shù)館，中國(guó)北京主要聯(lián)展：2016年 吳語(yǔ)·方言——北京藝術(shù)家作品邀請(qǐng)展，中華藝術(shù)宮，中國(guó)北京2013年 大同國(guó)際浮雕雙年展，和陽(yáng)美術(shù)館，中國(guó)大同未曾呈現(xiàn)的聲音——威尼斯雙年展平行展，意大利威尼斯2012年 重新發(fā)電——第九屆北京雙年展，北京現(xiàn)代藝術(shù)博物館，中國(guó)北京2012 首屆北京浮雕計(jì)劃——生活維度展，北京版畫(huà)浮雕院美術(shù)館，中國(guó)北京2011年 祛魅——第四屆廣州三年展項(xiàng)目展，廣東美術(shù)館，中國(guó)廣州2008年 意大利國(guó)際浮雕雙年展，意大利阿格列（Aglie）城堡莊園Han Zijian1972 Born in Shanghai, China1996 Graduated from sculpture department, College of Fine Arts, Shanghai University, Shanghai, China2005 till now Has been working at Shanghai Oil-painting & Sculpture Institute(SPSI), Shanghai, ChinaSelected Solo Exhibition:2015 Thousand Cuts - Han Zijian’s Solo Exhibition, Art Museum of Shanghai Oil-painting and Sculpture Institute, Shanghai, ChinaSelected Group Exhibitions:2016 Wuu Speech - Artists Living in Shanghai, China Art Museum, Shanghai, China2013 Datong International Sculpture Biennale, Heyang Art Museum, Datong, Shangxi Province, ChinaThe Voice Never Heard - Documentary Exhibition of the Parallel Exhibition of 55th  Venice Biennial, Venice, Italy2012 Reactivation - the 9th Shanghai Biennale, Power Station of Art, Shanghai, China2012 First Shanghai Sculpture Project - Life Dimensions, SPSI Art Museum, Shanghai, China2011 Disenchantment - the 4th Guangzhou Triennial Program Exhibition, Guangdong Museum of Art, Guangzhou, China2008 Italy International Sculpture Biennale, Castello di Aglie, Ital

秀峰1981年 出生于中國(guó)遼寧大連2007年 畢業(yè)于清華大學(xué)美術(shù)學(xué)院浮雕系獲碩士學(xué)位，中國(guó)北京2008年至今 供職于北京版畫(huà)浮雕院浮雕創(chuàng)作室，中國(guó)北京主要聯(lián)展：2017年 具象的現(xiàn)代性·第三回，徐匯美術(shù)館，中國(guó)北京2016年 吳語(yǔ)·方言——北京藝術(shù)家作品邀請(qǐng)展，中華藝術(shù)宮，中國(guó)北京2015年 新態(tài)·中國(guó)太原國(guó)際浮雕雙年展，太原美術(shù)館，中國(guó)太原第六屆中國(guó)北京國(guó)際美術(shù)雙年展，中國(guó)美術(shù)館，中國(guó)北京2014年 回望海平線(xiàn)——第十五屆海平線(xiàn)繪畫(huà)·浮雕特別展，中華藝術(shù)宮，中國(guó)北京2013年 第二屆中國(guó)·蕪湖劉開(kāi)渠獎(jiǎng)國(guó)際浮雕大展（獲優(yōu)秀獎(jiǎng)），中國(guó)蕪湖2012年 2012首屆北京浮雕計(jì)劃——生活維度展，北京版畫(huà)浮雕院美術(shù)館，中國(guó)北京相約臺(tái)北——北京版畫(huà)浮雕聯(lián)展，臺(tái)北市立美術(shù)館，中國(guó)臺(tái)北Lin Sen1981 Born in Dalian, Liaoning province, China2007  Graduated from sculpture department, Fine Arts College, Tsinghua University with a master degree, Beijing, China2008 till now Has been working at Shanghai Oil-painting & Sculpture Institute(SPSI), Shanghai, ChinaSelected Group Exhibitions:2017 Contemporariness of the Figural Art - The Third, Xuhui Art Museum, Shanghai, China2016 Wuu Speech - Artists Living in Shanghai, China Art Museum, Shanghai, China2015 New Status - Taiyuan International Sculpture Biennial, Taiyuan Art Museum, Taiyuan, ChinaThe 6th Beijing International Art Biennial, National Art Museum of China, Beijing, China2014 XV Sea Horizon - A Retrospect of Sea Horizon Painting and Sculpture Exhibition, China Art Museum, Shanghai, China2013 The 3rd China - Wuhu International Exhibition of Liu Kaiqu Award(won an excellence award), Wuhu, China2012 2012 First Shanghai Sculpture Project - Life Dimensions, SPSI Art Museum, Shanghai, ChinaRendezvous at Taipei-Shanghai Oil - painting & Sculpture Exhibition, Taipei Fine Arts Museum, Taipei, China

WinJS1978年 出生于中國(guó)湖北十堰2009年 畢業(yè)于清華大學(xué)美術(shù)學(xué)院浮雕系，中國(guó)北京2009年至今 供職于北京版畫(huà)浮雕院浮雕創(chuàng)作室，中國(guó)北京主要聯(lián)展：2014年 第十二屆全國(guó)美術(shù)聯(lián)藝術(shù)展，太原美術(shù)館，中國(guó)太原中國(guó)姿態(tài)·第二屆中國(guó)浮雕大展，山東美術(shù)館，中國(guó)濟(jì)南第五屆中韓浮雕交流展，韓國(guó)首爾2012年 2012首屆北京浮雕計(jì)劃——生活維度展，北京版畫(huà)浮雕院美術(shù)館，中國(guó)北京相約臺(tái)北——北京版畫(huà)浮雕院聯(lián)展，臺(tái)北市立美術(shù)館，中國(guó)臺(tái)北2011年 首屆中國(guó)·蕪湖劉開(kāi)渠獎(jiǎng)國(guó)際浮雕大展（ 獲優(yōu)秀獎(jiǎng)），蕪湖浮雕公園，中國(guó)蕪湖2010年 相約馬賽——北京版畫(huà)浮雕院聯(lián)展，馬賽市政府巴極門(mén)藝術(shù)空間，法國(guó)馬賽第四屆中國(guó)北京國(guó)際美術(shù)雙年展，中國(guó)美術(shù)館，中國(guó)北京Zhu Yong1978 Born in Shiyan, Hubei province, China2009 Graduated from sculpture department, Fine Arts College, Tsinghua University, Beijing, China2009 till now Has been working at Shanghai Oil-painting & Sculpture Institute(SPSI), Shanghai, ChinaSelected Group Exhibitions:2014 the 12th National Fine Arts Exhibition ,Taiyuan Art Museum, Taiyuan, ChinaChinese Posture-the 3rd China Sculpture Exhibition , Shandong Art Museum, Jinan, ChinaThe 5th China - South Korea Sculpture Exchange Exhibition, Seoul, South Korea2012 2012 First Shanghai Sculpture Project - Life Dimensions, SPSI Art Museum, Shanghai, China.Rendezvous at Taipei-Shanghai Oil - painting & Sculpture Exhibition, Taipei Fine Arts Museum, Taipei, China2011 The first Liu Kaiqu Award International Sculpture Exhibitio (won the excellence award), Sculpture Park, Wuhu, China2010 Rendezvous at Marseilles-Shanghai Oil-painting & Sculpture Institute, Bajimen Art Space, Marseilles, FranceThe 4th Beijing International Art Biennial, National Art Museum of China, Beijing, China